Seigfried Hahn was very dynamic and disciplined in his approach to realistic portraits and landscapes as well as in
his art instruction. He possessed exceptional knowledge in the techniques of the Great Masters in oil painting, in evidence
in his own work as well as imparted with lucidity to students. An extensive article on his approach to drawing and painting
appeared in the March 1976 issue of American Artist Magazine. (Scroll to the bottom of the page to see his biography)
His works preview on this site in gratitude for his and Howard Wexler's students who taught me the basics during high
school.
Rancho De Taos, New Mexico"
Limited edition print on watercolor paper with a run of 1000. This
fine quality offset color lithography produced at Starline Printing in Albuquerque, New Mexico in the mid 1980s.
The original oil painting is (in the Maroger Medium), 46” x 32”. This painting which took the artist several years
to accomplish, portrays the Ranchos de Taos village – in its unique, immense landscape setting, which the artist considered
inseparable from one another. Equally as important as the structural aspect of this work is the sensitivity to the Autumn
season, time of day and weather conditions. The print bares the signature with painting dated 1978.
Image size is 30" x 20.5" with paper dimensions 34"
x 24". Price: $75
"View of Albuquerque"
Limited edition print on watercolor paper with a run of 1000. This
fine quality offset color lithography produced at Starline Printing in Albuquerque, New Mexico in the mid 1980s. The original is watercolor on watercolor paper and the print bares
the signature with painting dated 1983.
Painted from Albuquerque's undeveloped
west side (at the time), Hahn's careful hand for details and broad scope for landscape panorama entices the viewer's eye up
and down the Rio Grande valley. Below billowing clouds, the Sandias rise into
the vast stretching New Mexico skies.
The image size is 23" x 12.5" with paper dimensions 26" x 16.75". Price: $60
"Sandia Stables, Albuquerque"
Limited edition print on watercolor paper with a run of 1000. This fine quality offset
color lithography produced at Starline Printing in Albuquerque,
New Mexico in the mid 1980s. The original is watercolor on watercolor paper
and the print also is on watercolor paper baring the signature with painting dated 1983. Painted from the base of Albuquerque's Sandia Mountains in 1983, Hahn's careful hand for details and broad scope for
landscape panorama entices the viewer's eye along dirt trails, arroyos and the steep mountain face. The Sandias rise into
the vast New Mexico skies. Image
size is 20" x 13.5" with paper dimensions 24" x 18.5". A must have for those who love the old masters
approach to painting and American landscapes with an old west flair.
Price: $40
Contact
Information: Howard Wexler To
order by phone, call 505-299-1600 or email john@johnroseillustration.com
Shipping within the US and Canada can range from $10-15 for UPS or FedEx ground
services. Rural deliveries incurr additional $5.
BIOGRAPHY
Seigfried Hahn (1914-2008) a
worldwide recognized painter of portraits and landscapes, was born in Randfontein, Transvaal, South Africa. He became
and American citizen in 1973.
His studies and awards include:
_ The Fine
Arts School, Capetown University,
South Africa
_ The Royal
Academy London, England
_ The Turner Gold Medal and Scholarship
_ The Creswick Prize and Scholarship
_ The Landseer Prize and Scholarship
Hahn was very dynamic and disciplined
in his approach to realistic portraits and landscapes as well as in his art instruction. Possessed exceptional knowledge in
the techniques of the Great Masters in oil painting, in evidence in his own work as well as imparted with lucidity to students.
An extensive article on his approach to drawing and painting appeared in the March 1976 issue of American Artist Magazine.
Acquainted
through a six year correspondence with Jacques Maroger, Director of the Louvre Laboratories in Paris,
Siegfried acquired and shared the Renaissance Masters’ detailed methods and recipes for the Venetian and Flemish mediums
used by the great masters in their oil painting. The Venetian medium adds beeswax with the oil to give the painting a satiny
glow and suppleness as seen in works of El Greco and Titian. The Flemish medium mixes mastic resin to the oils to give a jewel-like,
freshly-painted brilliance as seen in works by Rubens and Rembrandt. Turpentines, siccatives or varnishes are never needed,
as they tend to evaporate the oil from the oil paints leaving a finished painting looking “dried out” and brittle,
or a varnish that yellows with age.
Hahn exhibited in one-man and group showings in Great
Britain, Belgium, Holland,
Czechoslovakia, Denmark,
Norway, Finland,
Portugal, France,
Germany, Italy,
Spain, Greece,
Turkey, Austria,
and the United States. His paintings enhance numerous public
and private collections throughout the world.
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